1. Dear friend Anoop is getting married. Since he has already given me my lines, I shall probably tweet the wedding. (BM, BG - Can you like call today when you wake up? Need to coordinate itin. Already those bastards at United are charging me a "close-up processing fee" for making a booking so close to travel date)
2. If you want another opportunity to make fun of Bill and Bongs in general, here - fun with Bill puns over at ??!'s. Also, learn why stash of marijuana is much more useful than Bill (thanks to Falsie).
3. Public Service Announcement for foodie Londoners - Taste of London tickets are on sale.
4. Film time. French New Wave at BFI Southbank.
Seen till date:
- Chronique d'un été - This collaboration between movie maker / anthropologist Jean Rouch and sociologist Edgar Morin takes us through a series of interviews with a cross-section of Parisiennes in the summer of 1960. The cast (no real actors I understand) includes a Holocaust survivor, a black student from Africa, a haunting Italian immigrant, an artist couple, college students, factory workers and children. Starting from an innocuous "Are you happy?" question to people on the street, the film attempts to explore everything from Algeria and Congo (people, this is 1960), the Holocaust, and the monotony of modern life to boredom, solitude and well, St Tropez. While all these topics bring out interesting reactions, it seems as if the real driving force behind people's reactions is the camera in front of them. The experiment (as I understood it) that Rouch and Morin were performing was an attempt at finding how much reality can one get when the camera is rolling and the movie closes with them wondering about the results. Chronique d'un été is apparently considered an innovative experiment in cinema-vérité and I, for one, definitely wanted the camera to keep rolling for longer. (Would appreciate if the experts would weigh in. SB - Post, no?)
La Peau Douce - Truffaut's The Soft Skin is a love triangle (yeah, the man seems generally fond of triangles). A well-known publisher, seemingly happily married, falls in love with a flight attendant on a trip to Lisbon. He attempts to hide affair from wife but is forced to face up to the music at the end. Jean Desailly as the fumbling publisher gives a superb performance and his relationship with his wife is done to perfection though one can't say the same for his relationship with the other woman as this seems a bit contrived. The film is hilarious in a rather cynical sense - the blurb said it was considered a serious and cold movie coming from the director who made Jules et Jim but I (along with most people in the theatre) were laughing through most of the movie. Very watchable.
Have about half dozen more to go before the month runs out, so expect to see notes on this over the next few weeks. Suggestions welcome.
5. Those of you wondering why China posts aren't happening, please to shout at BM. I have posts, she hasn't sent me pictures I asked for 4 days ago. Thanks!